Raphael The Madonna of the Candelabra Essays - 898 Words

nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;Raphael: The Madonna of the Candelabra nbsp;nbsp;nbsp;nbsp;nbsp;During the Italian Renaissance Raphael was one of the most influential artists. He painted many brilliant pieces, mastering the use of depth, perspective, and the use of shadow and light. Throughout his life, Raphael used the Madonna as a reoccurring subject in his work. One example of this subject is the Madonna of the Candelabra. This dark shadowy portrayal exemplifies the pure and humanistic ideals of the Madonna that made Raphael’s versions so well known and loved throughout the ages. The timeless beauty and grace that he captured and the realistic qualities of his work are†¦show more content†¦He seemed to go over the areas that he believed needed further work with darker strokes of the pen. He always strived for the perfect rendition of a naturalistic pose. His next quandary was the landscapes that would determine the location, be it a field or as in the case of the Madonna of the Candelabra, a shadowy curtained area. He was said to have had his apprentices pose so that he could capture just the right position that Mary would assume in the painting as related to the landscape(Pope-Hennessy 180). nbsp;nbsp;nbsp;nbsp;nbsp;While Raphael was influenced by other artists of the time, such as Michelangelo and Leonardo, he remained unique in his individual style. Raphael began to use the previous renditions of the Madonna as an influence. The symbolism of the Madonna is that of beauty and grace while incorporating a sense of pureness associated with her. The use of the candles in this particular Madonna show the light of Christ that is being brought into the world by Mary. She is giving birth to the light of the world, according to the Christian faith. The halos around her head and the head of Christ add to the feeling of holiness that the painting was intended to imply. The other figures appear to be angels overlooking the mother and child, as if guardians from heaven sent to watch over them like a shepherd watches over his sheep. There is no reason that this painting was named the Madonna of the Candelabra other than the fact of the presence of theShow MoreRelatedEssay about Manne rism in Florence and Rome2819 Words   |  12 PagesMannerism in Florence and Rome - considered to be more self- consciously artificial - derived from aspects of Raphael and Michelangelo - cold formalism was considered to be inner vision Rosso - (1494-1540), Italian painter, whose early works helped define Italian mannerism - later was a founder of French mannerism - was born Giovanni Battista di Jacopo di Guasparre in Florence - early work had odd perspectives, violent colors, and harsh lighting - 1523 Rosso moved to Rome, where